Project #7: Research Your Topic
Speech Title: The World Without Men
Delivered at: PIPCA Riyadh Toastmasters Club
Evaluated by: ACB/CL Erick John Tapales
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Competent Communication Manual
Project #9: Persuade With Power
Speech Title: Is That It?
Delivered at: PIPCA Riyadh Toastmasters Club during the International Speech Club Contest
Evaluated by: TM Roi Ontiveros
“Woah, that is really cool.Can I touch it?”.“Just a look, please”.“Ah,you selfish brat, give me that!”
“Hehehe…I got it!”
“Father!,I didn’t mean to steal it.I just want to borrow, I’ll return it soon”
“Yes father,now, and I will say sorry”
“Huhuhu…I know father.I have my own toy.This one… and I build it with my own hands”
Fellow Toastmasters, beloved guests, distinguished judges good evening!
I remember when I was 7 years old; I grew up in a close neighborhood of relatives.Life was difficult.While my cousins live in abundance and enjoy all the beautiful things my world offers, we – I – was left behind.Often, I lurk at the corner – with green eyes – trying to settle for tin-cans, bottle caps, cartoon boxes, and all the garbage they left behind.
Then I asked my father, “Is that it, I’ll do with these make believe”?
He looked at me in the eyes and said.“You came to this world naked and with nothing, wear this trouser to cover your bareness.Fill up yourself with experience, knowledge, wisdom, and know what is right and what is wrong. One day, you will know how to stand on your ground”
Years past, I completed elementary education purely on grants, and I finish high school with scholarship. I simply followed my father’s advice. I equipped myself with the best education there is.
Then at 15, I experience what it’s like to fall in love and get hurt.
Then I asked my father, “Is that is, because I looked like you… no one will fall in love with me?”
My father smiled and said:“Now you that opened up your heart, be ready to face the realities of life”.“Wear a shirt; learn to guard the soft part of you. Always remember: be graceful in failure and be humble in victory”
Then, I took a stride in the journey of men.I started to understand the natural foolishness of men and women. More importantly, I learned to understand the power of the human spirit to succeed.These experiences gave enough strength and courage to survive… and became a man myself!
At 20 I got two diplomas with my hands, and I asked my father. “Is that it, it’s done?Can I start my life now?”
My proud father just smiled and said “Yes, you can.Wear these shoes, go on find your life somewhere and don’t come back!”
Indeed, I move to different places, meet many people, and gained valuable work skills and expertise.With hard work and persistence, I eventually end up brushing elbows with the gods in the corporate life.
But just when I thought things are going smooth, I realized I was not ready. Corporate politics intrigues and immense responsibility weight on me.
I was 30 then and that time, father was long gone.There one else to ask, but my self in the mirror ... “Is that it, you’ll quit after all the training you got from your father”?
I paused and told my self; “Take this coat, cover not only your true self, but also your principles, and your family.”
My life changed after that!Intrigues are still there, politics still lingers, and responsibility still weights on me.
But I learned how to go home to my family without carrying the load at work.And in the same manner, to back to corporate life without carrying my domestics issues.Like a coat, I can put on my public life and take it off when facing my family.
Last year, I came to Saudi Arabia and I was thinking… “Is that it, have I reached my peak?Should I just save enough money and wait for retirement”?
Then someone answered … “You can listen better, you think better, you can speak better, and you will learn more by doing... the Toastmasters’ way.”
That is why, fellow Toastmasters, I am here.I am standing in front of you.
I am here to learn… one more time.You will not fail me, I am sure.You will guide me how to inspire others with my speeches.You will guide me to be a better leader with your company.
Now let me ask you Toastmasters, “Is that it, you will help me be a true Toastmaster?”
Back to you contest master!
Competent Communication Manual
Project #5: Your Body Speaks
Speech Title: The Paparazzi
Delivered at: PIPCA Riyadh Toastmasters Club
Evaluated by: CC/CL Beethoven T. Lee
Introduction
31st of August 1997, Diana, Princess of Wales died as a result of injuries sustained in a car crash in the Pont de l'Alma road tunnel in Paris, France. Her companion Dodi Fayed and the driver of the car were pronounced dead at the scene of the accident.
News of the Diana’s demise shocked the entire world. Rivers of tears were shed and along with it, an ocean of red roses swamped her wake. People came like endless line of ants offering candles and condolences, and all of them share the grief of losing a beloved Princess.
And though the investigations were still on progress, the media and gossip columns already turned their blaming fingers on the paparazzi. “The driver was running away from the obnoxious paparazzi!” everyone concluded!
I felt the lost too. Being a fan of Princess Diana, with angst I shouted “Crucify the paparazzi.” And from that day on, I unwittingly learned to hate the paparazzi.
Good evening fellow toastmasters and guest.
Body
I am pretty sure, most of you here had heard of the word paparazzi. And I bet the first thing that would come into your mind – he/she is a person who carries a camera.
The word paparazzo (singular form of paparazzi) comes from an obscure Old Italian dialect which literally means an annoying & noisy mosquito. Like its namesake, indeed, paparazzi have been criticized for their pesky behavior. They have utter disregard for privacy, they trespasses and worst, they would stake out just to get what they want.
But have you ever asked how it is like being paparazzi?
Just few years back when I first pick up a camera and discover a passion on photography, I was always conscious of the word paparazzi. My friends would tease me… “Ah, so now you’re paparazzi”. “Of course not”, I replied with an enraged eyes. “But I eat pizza”, I quipped – then my friends would loudly laugh.
But seriously, there were many times when I started to doubt that what I was doing is leading me to a personality that I hate..
It all started when I was "hired" by a local magazine in Singapore. The task was simple: get a “good and presentable” picture of the celebrity or the minister who graced an occasion.
But it was never easy. I have to compete with a horde of wild photographers. I leaned to develop strong guts – I became shameless, my friends would say, I cultivated limitless patience and perseverance – waiting for long hours before my subject would arrive, and lastly I develop the skills of blocking and ambush.
From afar, I would observe how the target moves. With correct anticipations, I would position myself ahead of the target and the moment he/she passes by, and then I’ll do my job. All you could hear is the machine gun clicks of the camera (show the audience the camera and click) and blinding lights of flashguns (turn on the flash and click). It was very effective and m publisher loved me for my pictures. But even if my pockets were filled with handsome rewards, I left the assignment because… I don’t want to be paparazzi.
One day by chance, I met a local famous photographer. He invited me to work with him for a project with celebrities, and many other models involving Thais, Russians, and Brazilians. Alas, I felt comfortable. Working in a studio was far from pressure and certainly not paparazzi stuff. Not only that I could see beautiful women all the time – oh they are naked (grin and wink) – I can control the creative aspect of the shoot.
A year later, my mentor taught me a skill called 1-second technique. That is: to lift the camera, point to the subject, set the correct settings, click, and then hide it back – all in one second. (Repeat the demo but do it quicker to make it 1 second). You may ask, why the rush? My new task calls for a rapid and precise shooting. My models would walk in public places – mostly crowded – would pose in a flash (for about 2 seconds) then walk away. I must perfectly capture that moment, right the first time, all the time. No redo, no undo.
I have to conceal my gears otherwise; I would attract attention of the bystanders or onlookers. Using specialize accessories like hand strap to preclude the camera from dropping – I can hide my camera behind my back and walk casually.
At first, I find it was interesting. But when I mastered the skill, I realized that this is the technique that most paparazzi uses when stalking celebrities. Eventually, I left the magazine and concentrated on studio photography – the one I enjoyed most.
The drift of my hobby towards paparazzi didn’t stop there.
One time, I was invited to Philippines for big-buck project. A not-so-known corporate executive paid us to take candid photo shoots in all his public appearances. We should come in full force – all five of us - and should devote 80% of our efforts taking his pictures thus giving an impression that he is important and significant. We will discreetly submit the pictures on a common repository where another team will use that for his PR campaign.
Oh, unusual, don’t think? No, it’s common practice. You just didn’t know it. Showbiz personalities – mostly fading stars or start up actors / actresses hire people like us. And we gladly indulge with their caprice with mucho dinero.
And yes, politicians too! But I can’t divulge more otherwise they might send someone here in Riyadh and get me into trouble. Just ask our handsome and youngest Senator of the Land? (Give a wicked smile and wink).
Closing
What have we learned tonight my fellow toastmasters? Paparazzi are pesky, we all agree on that. Those paparazzi made money, lots and lots of money, out of those candid pictures. You are partly to be blame, because you patronize gossip columns, tabloids, and ugh smut magazines – thus we created the demand.
We learn that there are paparazzi that were paid by the subject themselves. Oh, the glory of fame is indeed glittery and controversial.
And me … I now understand and felt how it is to be paparazzo.
In parting, I’d like to share what my dad said when I told him I hate his disciplinarian ways… “be careful with what you hate, you may end up just like that”
Back to you toastmaster of the evening
Competent Communication Manual
Project #4: How to Say It
Speech Title: Navigating the Streets of Riyadh
Delivered at: PIPCA Riyadh Toastmasters Club
Evaluated by: CC/CL Beethoven T. Lee
6pm, Batha.
Carrying six bags of grocery items, I hailed a taxi cab and get in quickly. I sat at the back and sigh with a relief – those bags were heavy. Then the driver ask “where sadik”. “Sulaimaniah”, I responded. Roughly ten minutes of silence followed. Then I noticed that we were at the wrong direction. We were heading towards the Airbase.
“Sulaimaniah, my friend”, I exclaimed. “Aiwa, Sulaimaniah”, he replied.
“La, take U-turn, go Military Hospital, baden right round-about, baden right at signal, see Peking restaurant, turn left, after two streets right turn, then stop second block.”
The conversation sounds familiar, isn’t it? I could see smiles in your faces. That, I would take as a “yes” answer.
Good evening fellow toastmasters and guest.
Tonight, let me share with you my adventures on the streets of this exciting place – the city that what was once called the Gardens of the Arabian Heartland.
The signs that my life in Riyadh would be full of excitement started right after I went out of the King Abdullaziz International Airport. I was expecting a chauffer to take me to the hotel, but nobody came. And after waiting for two hours, I valiantly decided to take a taxi cab. For a new comer in Riyadh, I was expecting a smooth and exciting ride toward the city. But lo and behold, a different kind of excitement greeted me that morning.
Call it luck and my day. I choose a taxi driver, whom I guess, was a frustrated kamikaze pilot. He runs the taxi like a tornado at 160kph and swivel between lanes like a snake. And, to top it, he dodges cars by less than a meters. Seated at the front passenger seat, I was holding my breath and was silently calling all my little gods of protection. “Please let me pass this nightmare”, I quipped. Indeed after an hour of ordeal, we arrived safely at the hotel.
Yes, my knees were trembling when I alighted from the taxi.
Two weeks later, I made another valiant decision. I decided to take a stroll on the oven-hot streets of Riyadh. After one hour walking, I noticed that 8 of the 10 streets that I passed by, have address names written in Arabic. The streets with English characters have a rather unusual long name for a street such as ???? bin ##### bin ****. I wonder how these people remember the street names. And I have not seen any bus plying around? “Gee… How do people move?” I asked my self. And lastly, there were neither ladies nor children walking around.
Tsk.. tsk.. tsk… What an unusual streets, we got here!
When I moved to Sulaimaniah district near Riyadh International, my friends applauded my choice. The place “accessible”, they said. I realized later, that “accessibility” has a relative meaning here in Riyadh. It is very useful when taking a taxi. I only need to say “Sulaimaniah, near Filipino School – RIS” and 4 of every 10 drivers would recognize the place. For the remaining 60%, I have to say it the long way: “Get me to Sulaimaniah, to the Military hospital, then turn right, you see Peking restaurant, turn left, two streets, then turn right and second building to the left”. I wish I could just say the street name, but that would be impossible. Our street has Arabic name and even if I could read it, I bet, the driver wouldn’t know where it is.“I have enough”, I said. I decided to buy my own car to avoid problems with taxi. Just when I thought I solve one problem, I encountered another one. A bigger one!
My first time driving in Riyadh was running an Indian Pass initiation of a fraternity. Cars would appear from all directions like rabbits and foxes. They will cut corners. They will make turns without signal warnings. They will hug two lanes by running in between, and they will blow there horns the moment they see green light – even you were already moving. And the will park at will – even in the middle of the road.
If you are turtle run at 60 kph on major streets, they will either give you a high beam or an irritating horn. It is okay if you are on the middle lane or left most side of the road. But on the right most –the slow lane – then I really don’t see the logic of it.
You know my first car accident? It was rear collision. The guy was angry because I stop at the yield position entering an express way. He shouted at me “you were looking for a parking”. Hah! Why seek for a parking in an expressway?
Seven months have passed, I remembered that taxi driver at the Airport. He was not frustrated fighter pilot, actually. He is just one of the many “regular” drivers of Riyadh. Soon, I may be just like them not that adopted a cruising speed of 140 kph – far from my regular speed limit of 50 kph in Singapore.
Be patient with the taxi driver, he too is confused like you and he just want earn a living.
Be patient in the road at all times, and observe speed limits as much as possible. It is your life that you wanted to protect, not anyone else.
And yes, you can stroll along the streets of King Fahad Medical City, but not along busy streets. It’s dangerous.
Back to you toastmaster of the evening
Competent Communication Manual
Project #3: Get to the Point
Speech Title: What Makes a Good Photographer
Delivered at: PIPCA Riyadh Toastmasters Club
Evaluated by: CTM/CL Jojo Bollozos
May I ask the audience in the left to stand up and join your colleague in the right? TM Fritz please move towards the back, and TM Ben please move forward. I want you to give me sweet smile. [Identify who did not smile] TM xxx a little smile more, please. Okay, everyone look at the camera and smile [point and click the camera on the group]. One more… wacky smile [point and click the camera]!
Salutation
Fellow toastmasters, ladies, gentlemen, and visitors good evening! Let us return to our seats now and be seated. When I asked you to smile, a while ago, did you ever hesitate to obey my request? I guess none. You were all cooperative.
Tonight, let me share to some good tips on what makes a good portrait or people photographer
Body
By today's definition, a person who holds and uses a camera is easily labeled as a photographer. Anyone can be a photographer without really understanding the mechanics of photography, as long as he or she can point a camera towards the subject and able to take a snap. Let us change that impression tonight.
There are three challenges that you should always remember when taken a picture.
The Technical Challenge
First is the technical aspect. This would sound scary for most of us that is why we rely on the Auto or P mode on our camera and never bother to switch to other mode. That is all right! Modern camera has improved dramatically such that difference between the pictures taken using Auto mode versus those taken by professional with complex setting may no longer be noticeable for the untrained eyes.
Advance users would like to experiment on the Aperture Mode, which is highly recommended for low light scenarios, and for making a blurred background thus creating a 3D effect. If you want to take a picture of your running kids, you might as well consider using Shutter/Time Mode. This is the setting appropriate for sports and moving subjects.
Whether you are shooting in Auto or professional setting, always be cautious with the direction and source of light. Take note, good natural lighting gives beautiful rendition of color. Flash and artificial light such as fluorescent light can give off-tone colors. That should explain why you look like zombies in some of your night pictures.
The Artistic Spectrum
The second challenge that you should remember in photography is the artistic aspect.
How you compose the subject, and how you position the subject relative to the shooter plays critical role in achieve a good picture. To illustrate my point, take a picture of smiling person but with straight body then compare it with the picture of the same smiling person but with angled face and curved body position. I am sure; the latter would draw more attention than the first one. This artistic component is called proper posing.
Be observant with the sizes of your subjects too. This means height and width. Placing the slender subjects in front and the chubby one on the far end gives a balance on the picture. Likewise, avoid placing a tall subject alongside a short subject. You would not like to appear like Frodo the hobbit when standing besides a tall person ala-Shaq O'Neil, right?
And to make the picture it more pleasing to the eye, be particular with color coordination. The rainbow is the best color pattern in nature. You could follow this pattern with your subjects unless you want to emphasize one particular color over the other.
The Command or Control challenge
The third challenge that you should always remember is control or command over your subjects.
This is always the most difficult and troublesome aspect in photography. You need to be stout hearted and firm, but at the same time sweet and charismatic. Ironical, is not it? How can you be sweet and the same time authoritative? That is for you to discover by experience and practice.
Building rapport and being in control of your subject is the most important aspect of portrait photography. Before lifting the camera, make sure that you talk to the subject make them comfortable at your presence. Try to bring out the unguarded and relax personality of the subject. If you succeed in doing that, you can easily control the subject; how to smile, when to smile, and how to pose - naturally.
Conclusion
Let us recall what we have done a while ago. I observed the three challenges that I just discussed with you.
First, I checked the source and direction of the light. Since I was in hurry to take the picture, I just set the camera to Auto Mode. That was the Technical Challenge
Second, I studied the proportion of your sizes and the coordination of the color of your clothes. I rearrange you to hide the "well-endowed" bodies behind the well proportionate ones. That was the Artistic Challenge
And lastly, I displayed control over the subjects – all of you – when you followed my instructions without hesitations. That was the Command or Control Challenge.
Closing
In parting my fellow toastmasters, I want you to remember the next time you stand in front of a camera that as the model, you can influence the result of the picture. If your photographer does not know what to do, you can suggest the tips that I gave you. Believe me; you will look better in the pictures.
Back to you toastmaster of the evening